The Almost Reality exhibition at DVAC will include twelve images from my shades series.
I layer imagine upon imagine, skin on
top of a portrait, lace below an x-ray, toys with old age, a variety of faces.
I layer photographs I have taken, ones I have found, handwritten notes and
medical diagrams. I layer to reflect how human identity is a composite of
stories, memories, information, physical sensations, as well as the mechanisms
that make one human.
I adhere whisper thin sheets of paper together
until they are inseparable. I adhere to create images with a three-dimensional
depth as one layer is seen through another and another. I adhere because
we are amalgamation, complex and nuanced our identity includes the physical,
spiritual, past and present – one part cannot be removed from the rest.
I contrast, male and female, beauty and
horror, skin and bone, childhood and senility. I contrast to reflect the
richness of the human experience and our dualities. I contrast front and back
to let the curious viewer see more, to express how we always are more than what
the eye first sees.
I cut with small sharp scissors, shaping these images into the
profile silhouette of one of my models. I cut to reference the work back to the
body, to point to the
commonality of the human form, as the vessel we each temporarily have to hold
our own stories.
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